KINGS is a choreographic and performance research and development project co-created with and performed by Michael Appouh , Khagen Douglas and Samuel Remi Akinwale , outside after dark in Manchester City Centre with a team of local artist collaborators. The work uses movement, gesture, new writing and collaborative costume design with Ruby Kirby to reimagine the city and ownership of space for blackness, created through a research process involving sharing lived experiences. KINGS involved a series of NIGHTWALKS to explore experiences of visibility, masculinity, blackness in city space. The nighttime walks to outdoor Manchester locations involved using this as space to generate ideas, alongside team workshops, residencies and public workshops with Black, Asian and Minority Ethnic Men and Non-Binary people at The Royal Exchange Theatre in Manchester (supported by Contact Theatre) to create space to share experiences. Manchester (KINGS:BEGINS and MIDDLE:KINGS Workshops) and outside, creating space to share experiences. KINGS was documented through a photographic series by Chan-Yang Kim, sound recordings and video documentation of the NIGHTWALKS and workshops.
The KINGS research process culminated in a live sharing in October 2019 at Depot.Mayfield on the concourse as a work-in-development performance with invited guests. Alongside a short film work created with Scout Stuart and Michael Appouh created on Pamona Island called KINGS PAMONA. The ideas and research collected during the KINGS devising process will be used in the development of the project through 2020 and 2021.
KINGS team:
Lead artist: Amy Lawrence
Performers & collaborators: Khagen Douglas, Michael Appouh and Samuel Remi Akinwale
Supporting Artist/Dramaturgy: Keisha Thompson
Supporting producer: Edwina McEachran
Film maker: Scout Stuart
Costume design: Ruby Kirby
Photographer: Chan Yang Kim
Sound Design: Michael-Jon Mizra
Outdoor producing consultant: Rizwan Iqbal
Graphic Design: Sarah Hingley
Performance venue: Depot.Mayfield
KINGS is supported using public funding by Arts Council England , Royal Exchange Theatre and Black Gold Arts.
With thanks to LADA and Dance4 for providing research residencies, Depot.Mayfield, STUN studios, Contact Theatre, Ailbhe Treacy + MIF.